| dramata Sep 1st 2012, 03:51 clean up misuse of Unicode modifier letters | ← Older revision | Revision as of 03:51, 1 September 2012 | | Line 7: | Line 7: | | | * {{a|RP}} {{enPR|dräʹmətə}}, {{IPA|/ˈdɹɑːmətə/}}, {{X-SAMPA|/"dr\A:m@t@/}} | | * {{a|RP}} {{enPR|dräʹmətə}}, {{IPA|/ˈdɹɑːmətə/}}, {{X-SAMPA|/"dr\A:m@t@/}} | | | * {{a|UK}} {{enPR|dräʹmətə}}, {{IPA|/ˈdɹɑːmətə/}}, {{X-SAMPA|/"dr\A:m@t@/}} | | * {{a|UK}} {{enPR|dräʹmətə}}, {{IPA|/ˈdɹɑːmətə/}}, {{X-SAMPA|/"dr\A:m@t@/}} | | − | * {{a|US}} {{enPR|dräʹmətə}}, {{IPA|/ˈdɻɑmətə/}}, {{X-SAMPA|/"dr\`Am@t@/}} | + | * {{a|US}} {{enPR|dräʹmətə}}, {{IPA|/ˈdɹɑmətə/}}, {{X-SAMPA|/"dr\Am@t@/}} | | | | | | | | ===Noun=== | | ===Noun=== | | Line 15: | Line 15: | | | #* '''''ante'' 1615''', J.H.<sup>?</sup>, ''<span class="plainlinks">[http://books.google.co.uk/books?id=8b3L5xNvXokC&pg=PA92&dq=dramata&hl=en&ei=ZBZcTPSINIeN4gbB7tyRAg&sa=X&oi=book_result&ct=result&resnum=74&ved=0COgDEOgBMEk#v=onepage&q=dramata&f=false This World's Folly; or a Warning-Piece discharged upon the Wickedness thereof]</span>'': | | #* '''''ante'' 1615''', J.H.<sup>?</sup>, ''<span class="plainlinks">[http://books.google.co.uk/books?id=8b3L5xNvXokC&pg=PA92&dq=dramata&hl=en&ei=ZBZcTPSINIeN4gbB7tyRAg&sa=X&oi=book_result&ct=result&resnum=74&ved=0COgDEOgBMEk#v=onepage&q=dramata&f=false This World's Folly; or a Warning-Piece discharged upon the Wickedness thereof]</span>'': | | | #*: I will not particularize those Blitea '''dramata''' (as Laberius tearmes another sort) those ''Fortune-fatted'' fooles and Time's Idoets, whose garbe is the Toothache of witte, the Plague-sore of Judgement, the Common-sewer of Obscœnitie, and the Traine-powder that dischargeth the roaring Meg of all scurrile villainies upon the Cities face; who are fain to produce blinde Impudence to personate himselfe upon their stage, behung with chaynes of garlicke, as an Antidote against their owne infectious breaths, lest it should kill their Oyster-crying Audience. | | #*: I will not particularize those Blitea '''dramata''' (as Laberius tearmes another sort) those ''Fortune-fatted'' fooles and Time's Idoets, whose garbe is the Toothache of witte, the Plague-sore of Judgement, the Common-sewer of Obscœnitie, and the Traine-powder that dischargeth the roaring Meg of all scurrile villainies upon the Cities face; who are fain to produce blinde Impudence to personate himselfe upon their stage, behung with chaynes of garlicke, as an Antidote against their owne infectious breaths, lest it should kill their Oyster-crying Audience. | | − | #* '''1692''', [[w:Marcus Aurelius|Marcus Aurelius (Emperor of Rome)]] [aut.] and [[w:Méric Casaubon|Meric Caſaubon]] [tr.], [[w:Meditations|''The Meditations of ''Marcus Aurelius Antoninus'' the Roman Emperor, Concerning Himſelf'']], book X, <span class="plainlinks">[http://books.google.co.uk/books?id=onAPAAAAQAAJ&pg=PA205&dq=dramata&hl=en&ei=ZBZcTPSINIeN4gbB7tyRAg&sa=X&oi=book_result&ct=result&resnum=58&ved=0CIADEOgBMDk#v=onepage&q=dramata&f=false page 205]</span>, § XXVII (5ᵗʰ edition; first published in 1634) | + | #* '''1692''', [[w:Marcus Aurelius|Marcus Aurelius (Emperor of Rome)]] [author] and [[w:Méric Casaubon|Meric Caſaubon]] [translator], [[w:Meditations|''The Meditations of ''Marcus Aurelius Antoninus'' the Roman Emperor, Concerning Himſelf'']], book X, <span class="plainlinks">[http://books.google.co.uk/books?id=onAPAAAAQAAJ&pg=PA205&dq=dramata&hl=en&ei=ZBZcTPSINIeN4gbB7tyRAg&sa=X&oi=book_result&ct=result&resnum=58&ved=0CIADEOgBMDk#v=onepage&q=dramata&f=false page 205]</span>, § XXVII (5th edition; first published in 1634) | | | #*: XXVII. Ever to mind and conſider with thy ſelf, how all things that now are, have been heretofore much after the ſame ſort, and after the ſame faſhion that now they are: and ſo to think of thoſe things which ſhall be hereafter alſo. Moreover, whole '''''dramata''''', and uniform ſcenes, [or, ''ſcenes that comprehend the lives and a{{ctlig}}ions of men of one calling and profeſſion'',]<!-- brackets sic --> as many as either in thine own experience thou haſt known, or by reading of ancient Hiſtories; (as the whole Court of ''Adrianus'', the whole Court of ''Antoninus Pius'', the whole Court of ''Philippus'', that of ''Alexander'', that of ''Crœſus:)''<!-- colon and parenthesis italicised sic --> to ſet them all before thine eyes. For thou ſhalt find that they are all but after one ſort and faſhion: [or, ''all of the ſame kind and nature:'']<!-- brackets and italicised colon sic --> onely that the a{{ctlig}}ours were others. | | #*: XXVII. Ever to mind and conſider with thy ſelf, how all things that now are, have been heretofore much after the ſame ſort, and after the ſame faſhion that now they are: and ſo to think of thoſe things which ſhall be hereafter alſo. Moreover, whole '''''dramata''''', and uniform ſcenes, [or, ''ſcenes that comprehend the lives and a{{ctlig}}ions of men of one calling and profeſſion'',]<!-- brackets sic --> as many as either in thine own experience thou haſt known, or by reading of ancient Hiſtories; (as the whole Court of ''Adrianus'', the whole Court of ''Antoninus Pius'', the whole Court of ''Philippus'', that of ''Alexander'', that of ''Crœſus:)''<!-- colon and parenthesis italicised sic --> to ſet them all before thine eyes. For thou ſhalt find that they are all but after one ſort and faſhion: [or, ''all of the ſame kind and nature:'']<!-- brackets and italicised colon sic --> onely that the a{{ctlig}}ours were others. | | − | #* '''1821''', November 16ᵗʰ: [[w:Lord Byron|George Gordon Byron, 6ᵗʰ Baron Byron]], ''<span class="plainlinks">[http://books.google.co.uk/books?id=Szp1n_bq_XkC&pg=PA62&dq=dramata&hl=en&ei=ZBZcTPSINIeN4gbB7tyRAg&sa=X&oi=book_result&ct=result&resnum=75&ved=0CO4DEOgBMEo#v=onepage&q=dramata&f=false Letter to Douglas Kinnaird]</span>'' | + | #* '''1821''', November 16th: [[w:Lord Byron|George Gordon Byron, 6ᵗʰ Baron Byron]], ''<span class="plainlinks">[http://books.google.co.uk/books?id=Szp1n_bq_XkC&pg=PA62&dq=dramata&hl=en&ei=ZBZcTPSINIeN4gbB7tyRAg&sa=X&oi=book_result&ct=result&resnum=75&ved=0CO4DEOgBMEo#v=onepage&q=dramata&f=false Letter to Douglas Kinnaird]</span>'' | | | #*: "Cain" should be published in the same volume with the two other '''dramata'''. | | #*: "Cain" should be published in the same volume with the two other '''dramata'''. | | − | #* '''2003''', Gregory Nagy and Anna Stavrakopoulou [eds.], ''Modern Greek Literature: Critical Essays'', chapter 1: Panagiotis A. Agapitos, "Ancient Models and Novel Mixtures: The Concept of Genre in Byzantine Funerary Literature from Photios to Eustathios of Thessalonike", <span class="plainlinks">[http://books.google.co.uk/books?id=nvqfyjSyAz4C&pg=PA14&dq=dramata&hl=en&ei=ZBZcTPSINIeN4gbB7tyRAg&sa=X&oi=book_result&ct=result&resnum=35&ved=0CPQBEOgBMCI#v=onepage&q=dramata&f=false page 14]</span>: | + | #* '''2003''', Gregory Nagy and Anna Stavrakopoulou (editors), ''Modern Greek Literature: Critical Essays'', chapter 1: Panagiotis A. Agapitos, "Ancient Models and Novel Mixtures: The Concept of Genre in Byzantine Funerary Literature from Photios to Eustathios of Thessalonike", <span class="plainlinks">[http://books.google.co.uk/books?id=nvqfyjSyAz4C&pg=PA14&dq=dramata&hl=en&ei=ZBZcTPSINIeN4gbB7tyRAg&sa=X&oi=book_result&ct=result&resnum=35&ved=0CPQBEOgBMCI#v=onepage&q=dramata&f=false page 14]</span>: | | | #*: This is especially marked in the '''''dramata''''' of Prodromos and Eugeneianos, which are composed, just like the poetic monodies we have seen, in iambic verse. | | #*: This is especially marked in the '''''dramata''''' of Prodromos and Eugeneianos, which are composed, just like the poetic monodies we have seen, in iambic verse. | | − | #* '''2006''', Peter Vorderer and Jennings Bryant [eds.], ''Playing Video Games: Motives, Responses, and Consequences'', chapter 26: Ute Ritterfeld and René Weber, "Video Games for Entertainment and Education", <span class="plainlinks">[http://books.google.co.uk/books?id=wlX9wjhpPOYC&pg=PA409&dq=dramata&hl=en&ei=ZBZcTPSINIeN4gbB7tyRAg&sa=X&oi=book_result&ct=result&resnum=22&ved=0CKQBEOgBMBU#v=onepage&q=dramata&f=false page 409]</span> | + | #* '''2006''', Peter Vorderer and Jennings Bryant (editors), ''Playing Video Games: Motives, Responses, and Consequences'', chapter 26: Ute Ritterfeld and René Weber, "Video Games for Entertainment and Education", <span class="plainlinks">[http://books.google.co.uk/books?id=wlX9wjhpPOYC&pg=PA409&dq=dramata&hl=en&ei=ZBZcTPSINIeN4gbB7tyRAg&sa=X&oi=book_result&ct=result&resnum=22&ved=0CKQBEOgBMBU#v=onepage&q=dramata&f=false page 409]</span> | | | #*: Recently, so-called ''pedagogical '''dramata''''' (e.g., Marsella, Johnson, & LaBore, 2003), which utilize interactive game play to teach successful communication strategies, were introduced. […] Similar to educational games, pedagogical '''dramata''' pursue an explicit learning goal. […] Because the development of pedagogical '''dramata''' is still in its very beginning, the technology has not yet been applied to less mature audiences[.] | | #*: Recently, so-called ''pedagogical '''dramata''''' (e.g., Marsella, Johnson, & LaBore, 2003), which utilize interactive game play to teach successful communication strategies, were introduced. […] Similar to educational games, pedagogical '''dramata''' pursue an explicit learning goal. […] Because the development of pedagogical '''dramata''' is still in its very beginning, the technology has not yet been applied to less mature audiences[.] | | | | | | | |
